Sam Humphries conclude an interesting suspense thriller with the art team of Geraldo Borges and Arthur Hesli.
All in Drama
Sam Humphries conclude an interesting suspense thriller with the art team of Geraldo Borges and Arthur Hesli.
t’s definitely a superhero story that definitely features...jokes.
Chaves finds a sinister way of giving Foy and her father a victory
Waid is juggling a hell of a lot in this issue.
Once again, this particular combination of characters feels more or less perfectly drawn.
There’s a sketchiness to Cadonici’s art that feels suitably dreamlike.
Superior to most Hollywood action movies.
It’s not like the first issue in the series isn’t fun, but it isn’t terribly memorable either.
It’s all filtering through the darkness around the edges of each panel.
Silvestri is running our story that works on three different levels.
The Windoms don't wait for us solid second chapter in the series.
Kudranski’s work feels as appealing in the conceptual as it does in the visual.
Wilson grants Black Cat a strange sort of momentum.
Campbell juggles a lot in another satisfying issue.
Bennett brilliantly frames a very powerful conflict.
It tells a very concise story cleverly-drawn from a bit of dialogue in that movie.
Juni Ba tells a story that’s both fantastic and mundane in equal measure.
A lightly heroic fantasy held together with the gravity of human emotion.
Boss expands some of the background on Exquisite Corpses.
Gillen’s script is engaging in the grammar of fantasy on multiple different levels.