All in Drama
Remender really pushes this squalid in this one.
Itβs a profoundly moving look at a legend as seen through the eyes of the man who loves her.
The darkness continues to creep in from every possible corner.
Hitch delivers dramatic intensity to the page in really impressive format.
It's kind of fun to have a science fiction or fantasy or horror.
Murphy does an elegant job of laying out the story.
Silvestri it's working a lot around a lot of edges.
The action is brought to the page with a dynamic sense of aggression.
It's really frustrating because so much of it seems so interesting.
Ehrich and Condon a ratchet up the tension just a little bit more.
It all works as well visually as it does conceptually.
The story seems to be settling into the art as the art is settling into the story.
So much of the script seems to be simply directing the flow of traffic between Hornsby, Halo and the Rocketfellers.
A particularly fun blend of James Bond, Harley Quinn and the archetype of the manic pixie dream girl.
Vellani clearly has a really vivid grasp of good storytelling.
A clever concept for a series in a script that seems impeccably well-constructed from the opening issue.
Thereβs a lot to appreciate in the anthology.
Harms continues to chart som pretty bleak territory.
Brombal sets-up a weird, little nightmare funhouse.