The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
All in Horror
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Given the right narrative momentum The Darkness could really turn into something interesting.
Campβs absurdist/surrealist horror story is insanely clever.
Itβs not a comic book so much as it is a really, really illustrated horror story.
Goette delivers the action with a sharp sense of perspective and balance.
James Tynion is working through a crucial period.
Fleecs continues a pretty brutal look at the lives of domestic pets.
Snejgjerg has a sharp and sensitive execution.
Tynion frames the central conflict of the film as the series draws to a chlling close.
Tieriβs script almost seems to be trying to march the fun onto the page at gunpoint.
Abstract and intellectual emotional drama.
Condon makes one last stand with the series.
The plot intensifies.
There's an overwhelming intensity about the story.
FedVan Lnte has a masterful approach to blending all of the characters.
Sniegoski keeps the events moving with a steady pace that never feels rushed.
Llovett anchors her narrative very, very closely on the three central characters.
Beem hits the page with a ragged intensity.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
Thereβs no victimization. No abstract evil. Just tragedy.