There's a moodiness that feels very hauntingly vacant.
All in Horror
There's a moodiness that feels very hauntingly vacant.
Science-versus-religion in a Florida theme park? Sounds like a lot of fun.
Jordan and Sobreiro are exploring the world that has its own kind of appeal.
The intriguingly distinct horror continues to carve-out a niche for itself on the comics rack.
t takes a lot of guts to decide that this should be the way a story like this should make it to the page of a primary visual medium.
Phillips is exploring a darker path for Gwen.
Lorenzo De Felici manages a promising opening to a new horrors series with Image Comics.
Once again, Fleecs manages a harrowingly tight balance.
Once again Vikings, Native Americans and werewolves mix in a distinctly unique action horror story.
Harms does a little more world building around the edges of the central drama.
What makes The Exorcism so fun IS that balance between delightfully stuffy and formal political drama and darker supernatural horror.
A satisfying conclusion to a series thatβs been unique and distinctive.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Bidikar is cleverly sharp in exploring the narrative.
Tynion moves things further down the path of the unexpected.
The high fashion millieu of the series serves as a perfect glossy backdrop for deep, psychological horror.
Mulholland edges the dark fantasy into the page with a stylish flare.
Bennett has balanced the script quite well between philosophical drama and action.
Wagner and company manage a crisply appealing second chapter to a promising new series.
It's just really cool that these two particular writers happen to be working on something like this.