Jordan continues to explore a world that is much more dangerous than our own.
All in Horror
Jordan continues to explore a world that is much more dangerous than our own.
A respectably enjoyable introduction to a monster horror story.
The visuals seem like a weird collage of different elements.
Tomasi pieces the story pretty well.
Once again, Mavinga finds plenty of space for wide-open stretches of post-apocalyptic oblivion.
The art team develops a suitably cinematic look for the opening issue.
Ehrich and Condon keep the scope of the story very, very limited.
The darkness extends well out from the script.
Itβs more of an adventure as Lincoln looks to survive a facility that seems dead set on deleting him in one way or another.
Itβs been an interesting journey with Lovecraft, Birks and Roberts.
It may not be totally embracing the potential of a Twilight Zone adaptation for page and panel, but itβs a very sharp celebration of the dawn of the franchise.
Wilson has done such a good job of rendering the inner intellectual complexity of Pamela.
Writer Charles Soule and artist Ryan Browne reach the penultimate issue in their strangely interesting series.
Johns it is continuing to move around the drama of the ensemble. T
It's actually a really good starting point.
The dark fantasy continues.
Fleecs reaches a big turning point with the entire ensemble.
Tynion had set himself up for a very, very difficult ending.
Harrenβs Kirby-inspired art moves thoughtfully and cunningly across the page.
It's really well executed on every level.