Johns paint the script in broad strokes.
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Johns paint the script in broad strokes.
Thereβs a crude appeal in the overall run of a series.
Birks follows the form and fashion of Lovecraftβs writing with a great sense of poise.
It's actually a very well balanced script.
Thereβs something good in Battle Beast...but itβs not all that clear quite precisely what it is.
The momentum of the action IS given a great amount of life.
The meeting between Optimus and Duke is handled with the kind of intensity that it really needs.
A couple of twisted explorations into the darker end of superpowers.
Bean manages a very sophisticated, little social satire.
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
It all hits the page quite dynamically.
Mora and Spicer have a hell of a lot of work to do with Kirkmanβs script.
A firm rooting in a very deep emotional reality that feels quite refreshing.
Rick Remender continues an enjoyable dark fantasy.
Cannon concludes his horror mystery.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Pires has a lot of backstory to cover.
Kirkman has a solid handle on the scripting.
Wijngaard slams some very, very powerful moments into the page with some pretty overwhelming power.
Jordanβs concept continues to hold a great deal of potential.