Tynion is working with well-established images of good and evil.
Tynion is working with well-established images of good and evil.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Brusha doesn’t find a particularly novel approach to the resolution, but it’s still a fun one to explore.
Robinson’s story is not without its charm.
There’s a deep respect for the common house cat that seems to resonate off the page.
There’s a clever maturity in the way Chaykin is delivering the look and feel of the early 1940s.
Wells brings a fugitive Spider-Man story into very sharp focus.
The drama comes across with striking clarity.
Rosenberg’s series has harnessed some of the stronger madness of the psychotic clown.
So much of what crawls around the edges of that action feels like a distraction.
A brilliantly expressive story.
Very familiar characters don’t come across as being particularly interesting.
It really just looks like they took a staggeringly high-resolution scan of 44-year-old toilet paper.
There is some intrigue involving political ambitions.
Millar’s idea in and of itself is provocative.
It’s nice to see the return of a few old friends.
Skroce jumps right into the action.
The drama driving the story IS interesting.
Culver is covering some very familiar ground.
Howard really strings things through a weird funhouse.