Franchini keeps the action moving.
Franchini keeps the action moving.
A huge range of different stories.
Metallo’s attacks intensify, Doombreaker finds a bone shard as Jon and the princess get into even more trouble, and Power Girl finally sees who’s been after her, Clark and Lois confront Doombreaker, and Power Girl and Jon Kent learn the secret of who’s after Power Girl.
The kids take on a dangerous mission as Gwen tries to get the Robots to leave Landfall’s Coalition.
Sinister and Rasputin travel a universe gone mad looking for the Moira Machine.
Beast and the Weapons of X make their presence known, and Wolverine prepares to hunt.
Jon Kent, Val-Zod, and Red Tornado begin the hunt for Ultraman.
Graydon Creed holds all the cards.
Tieri seems to be actively avoiding any potential depth.
Brisson keeps the action moving quickly.
Tynion is working with well-established images of good and evil.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Brusha doesn’t find a particularly novel approach to the resolution, but it’s still a fun one to explore.
Robinson’s story is not without its charm.
There’s a deep respect for the common house cat that seems to resonate off the page.
There’s a clever maturity in the way Chaykin is delivering the look and feel of the early 1940s.
Wells brings a fugitive Spider-Man story into very sharp focus.
The drama comes across with striking clarity.
Rosenberg’s series has harnessed some of the stronger madness of the psychotic clown.
So much of what crawls around the edges of that action feels like a distraction.