It’s one long chase scene.
It’s one long chase scene.
Flores has a very slick composition on the issue.
It’s like something blew up on the page.
A very well-executed visual package.
A strangely vivacious and flirtatious necromancer? It’s such a cool idea.
Qualano puts just enough on the page to tell the story.
A perfectly respectable family drama.
Gailey narrowly focuses the issue on a single encounter.
Allor keeps the dialogue simple.
Cantwell, Kelly, and Lanzing contrast various characters and personalities against each other.
There's a lot of aggression that's being set up.
Feels a lot more sophisticated than it is on the surface.
Lots of politics and drama.
Impressively tolerable.
Perhaps it's not silly enough.
There's a deep sense of emotional warmth.
Pepose is somewhat poetic with the narration.
It’s a fun approach to delivering the story.
Gurihiru’s adorable rendering of Jeff gets a cool twist.
The art team is a good portion of the reason why Hill’s script works.