Kirkham doesnβt seem at all interested in going beyond the superficial.
Kirkham doesnβt seem at all interested in going beyond the superficial.
Smith and Carrasco continue to explore some of the strangely untapped thematic potential of a deeply appealing and relatable character.
tβs just not very good.
MacKay manages to deliver a very clearly-rendered story that feels satisfying in its own way.
Greg Pak repackages an old Jack Kirby premise from the 1960.
In a way, Fire and Ice has been kind of a beautifully weird retro series.
This is a lot of fun.
The plot thickens in another interesting journey into horror with a cleverly iconic ensemble of characters.
Wilson and company are definitely leading-into the big 50th issue at the end of the Bad Seeds crossover event.
A staggeringly poetic and philosophical look at power, destiny and so much else in an issue.
Having too much story to tell in this particular instance is perfectly fine
Bean delivers a story of considerable thematic depth.
It's a surprisingly engrossing opening for the series.
The horror for the story arrests, largely around the edges of everything.
Tomasi takes traditional science fiction concepts that aren't uncommon to comic books and finds a new way to present them on the page.
Murphy has a salad understanding of what needs to happen in order for action to make it to the page in a way that's both emotionally and intellectually compelling on its own.
Burnett picks up the sky style and really runs with it.
Continues to show some promise and it's second issue.
Lee's artwork cuts and slashes across the page
Fleecs move away from the large ensemble dynamic.