Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
All in Action
Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
A quick fantasy/drama encounter between magic user and magic creature.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Horror and comedy spill like poetry out of Priest’s dialogue
Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
Palmiotti and Conner find a pretty solidly entertaining tone.
Priest’s plot begins to come into full view.
Shalvey and McConville construct a remarkably tight, little plot.
Shalvey takes the opportunity to reveal a few more mysteries.
And then Casey gets lost in a whole bunch of stuff that isn't really terribly interesting.
It's a nice pacing and overall composition for a single issue.
Jordan outlines a particularly clever idea.
Bram and Jones drag their horror drama further into the dry and dusty light of day.
It’s a powerful chapter in the saga that moves conflicts forward with some pretty dynamic narrative momentum.
Camp finds a clever way of working with the existential first principles of a life on the comics page.
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
The Power Fantasy is incredibly dense stuff. I
Bellaire does a remarkable job of granting exactly the kind of mood.
Johns takes traditional, superhero tropes and presents them in a completely new light.