Fantasy heroes don't often have to deal with that sort of thing: a head cold.
All in Drama
Fantasy heroes don't often have to deal with that sort of thing: a head cold.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Tynionβs story jumps across the first quarter of the 21st century.
Sniegoski weaves the story quite well.
Shalvey and McConville set up a very simple premise that is very easy to follow.
Campbellβs writing paints big emotions in broad strokes.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Given the right narrative momentum The Darkness could really turn into something interesting.
Campβs absurdist/surrealist horror story is insanely clever.
Phillips manages a very tight ensemble of characters.
Itβs not a comic book so much as it is a really, really illustrated horror story.
Goette delivers the action with a sharp sense of perspective and balance.
Thomasi lays-out the action with a nice sense of balance.
Spurrier is definitely moving into allegorical ground at the end of the series.
The issue gets a lot of mileage out of the image of a cold, emotionless T-800 terminator unit in a Santa suit.
Williamson continues the action in a direction that feels progressive.
Groom delivers a story that works on multiple different levels.
Robinson does a good job of making the dog in question look both very canine and very cybernetic.
James Tynion is working through a crucial period.