Birks follows the form and fashion of Lovecraftβs writing with a great sense of poise.
All in Drama
Birks follows the form and fashion of Lovecraftβs writing with a great sense of poise.
It's actually a very well balanced script.
The momentum of the action IS given a great amount of life.
The meeting between Optimus and Duke is handled with the kind of intensity that it really needs.
Itβs always a pleasure to hang out with Felicia by way of G. Willow Wilson.
A staggeringly aggressive 9-page fight sequence
Ewing does an impressive job of juggling everything.
Howard and Tarr are a great match.
Bean manages a very sophisticated, little social satire.
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
It all hits the page quite dynamically.
Mora and Spicer have a hell of a lot of work to do with Kirkmanβs script.
A firm rooting in a very deep emotional reality that feels quite refreshing.
Rick Remender continues an enjoyable dark fantasy.
Takaraβs mastery of dramatic subtlety looks particularly brilliant.
Allen establishes a solidly interesting conflict for Dani.
Cannon concludes his horror mystery.
The visual aspects of the story bind it to the comic book page quite well.
Remender managers a very dark portion of his narrative with a relatively deft hand.
Horvath draws the current series to its inevitable end where quite a bit of intensity.