The art team develops a suitably cinematic look for the opening issue.
All in Drama
The art team develops a suitably cinematic look for the opening issue.
GrΓΈnbekk take the Thor symbiote premise and moves it through the Marvel Asgardian fantasy.
tβs a very clever combination of different Marvel Universe elements.
Hitch and Currie drive the drama to the page with respectably vivid emotions.
Kelly moves the narrative back and forth between Peter Parker and Spider-Man.
Snyder tells a traditional sort of action story pretty well.
The darkness around the edges that begins to crop up at the end of the first issue doesn't hurt either.
Ehrich and Condon keep the scope of the story very, very limited.
The darkness extends well out from the script.
Itβs more of an adventure as Lincoln looks to survive a facility that seems dead set on deleting him in one way or another.
Avallone juggles a lot of different elements in comedy drama, about a down-on-his-luck artist.
Snyder and Grayson play with all of the traditional trappings of a Catwoman story and a way that feels fresh and original.
Itβs been an interesting journey with Lovecraft, Birks and Roberts.
Bennett and Cafaro continue to work a very appealing narrative gravity in another deeply fun issue.
Very sharp and charmingly clever stuff throughout.
Watters does some very sharp work in fusing M.A.S.K. with the rest of the Enegon Universe.
Dev comes across as an interesting character in an interesting world in a promising first issue.
It may not be totally embracing the potential of a Twilight Zone adaptation for page and panel, but itβs a very sharp celebration of the dawn of the franchise.
Wilson has done such a good job of rendering the inner intellectual complexity of Pamela.
Condon set up a respectable heist with a group of disreputable people