It all comes out in striking clarity in the first part of this issue.
All in Action
It all comes out in striking clarity in the first part of this issue.
Some of the visuals are quite impressive.
Johns manages to keep it all moving without weighing-down the action.
A satisfying conclusion.
A particularly surreal superhero group gets some fresh air thanks to a very sharp creative team.
Higgins respects the complexity of everything that's going on before.
Phillips fuses the university of professor with a life of a crime fighter.
After 22 issues, itβs quite an experience to see Diana truly enraged.
It may feel like itβs leaning-in too heavily to a Shakespearian tragedy, but itβs still a lot of fun.
Wilson and Fraction work quite well together.
Wilson is clearly having fun with the strangely volatile nature of the Marvel Universe.
It might have turned into something more than what makes it to the page.
Itβs like Michael Bay did a comic book.
An echo of an echo of a copy of a shadow of something else.
Remender really pushes this squalid in this one.
Bennett sets-up a very clever, little crossover and executes it beautifully.
Itβs a profoundly moving look at a legend as seen through the eyes of the man who loves her.
The darkness continues to creep in from every possible corner.
Hitch delivers dramatic intensity to the page in really impressive format.
It's kind of fun to have a science fiction or fantasy or horror.