Johnson firmly establishes the sense of action.
All in Drama
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Poke comes across as a deeply relatable character.
Wilson does a strikingly clever job with the foreshadowing.
The latest developments at the end of the 35th issue seem quite promising.
A quick fantasy/drama encounter between magic user and magic creature.
Grønbekk has created a clever, little fusion of Christmas Town and Halloween Town.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Horror and comedy spill like poetry out of Priest’s dialogue
Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
Priest’s plot begins to come into full view.
Shalvey and McConville construct a remarkably tight, little plot.
Shalvey takes the opportunity to reveal a few more mysteries.
And then Casey gets lost in a whole bunch of stuff that isn't really terribly interesting.
Jordan outlines a particularly clever idea.
It’s a powerful chapter in the saga that moves conflicts forward with some pretty dynamic narrative momentum.
Camp finds a clever way of working with the existential first principles of a life on the comics page.
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.